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Publisher

Your First Five Pages

A writer pointed out today that when you send a novel to an agent or publisher, they normally ask for the first five or ten pages, just so that they can gauge your writing skill. If those pages don’t grab the reader, it won’t sell. So, he wondered, what do I look for in those first five pages?

Magic keyboard

“Boosting” Your Prose

I earlier mentioned that when I used to write for competitions, I would make lists of ways that judges might look at my work in order to grade it. For example, some judges might look for an ending that brought them to tears, while another might be more interested in an intellectual feast. A couple of you asked what my list might look like. So here is a list of things that I might consider in creating a piece.

Zombie subplots

Multidimensionality: The Value of Subplots

Very often when reading slush for the Writers of the Future contest, I come upon stories that at first glance seem to be perfectly acceptable. They presented a protagonist who had a problem to overcome. The setting was reasonably well defined. The story proceeded at a good pace, with the problem escalating nicely. Often there was a surprise twist at the ending, and the conclusion seemed appropriate. Yet when I got done reading the story, it just lacked . . . something.

Typewriter

Parts to a Story – From the inciting incident to the denouement

Recently I’ve had a number of my students ask, “What makes a story great?” For example, what sets apart a story that wins major awards from one that doesn’t? What makes one story monumental, a landmark in its field, while another story fades from memory?

Man reading a book

Grounding Your Reader

One reader asked me to discuss a bit about what I call “grounding” the reader. Quite simply, grounding is the fine art of letting the reader know what is going on. You need to focus on some basics …

Man reading a book

What Makes a Story Great?

Recently I’ve had a number of my students ask, “What makes a story great?” For example, what sets apart a story that wins major awards from one that doesn’t? What makes one story monumental, a landmark in its field, while another story fades from memory?

David Farland with Lawrence Simmons Jr, the General Manager of the Nellis AFB Exchange

David Farland at Nellis AFB to Promote Writers of the Future

Writers of the Future Coordinating Judge David Farland visited the Nellis Air Force Base just outside of Las Vegas, Nevada, to promote Writers of the Future and this year’s bestselling volume of the annual anthology this past weekend.

David Farland speaking to several of the 2017 Writers of the Future winners: (l-r) Stephen Lawson, Ziporah Hildebrandt and Molly Atkins

Persistence

There is a myth among the general public that the greatest writers are born with uncanny innate talents that average folks dare not aspire to.

David Farland talking to winners at the Writers of the Future Workshop

Why You Only Got an Honorable Mention

A while ago I promised to tell you why I reject good stories when I’m reading for Writers of the Future. So let’s talk about those stories that get an Honorable Mention.

Grnd Prize Winners 2017, Jake Marley and Michael Michera

Dave Farland’s 10 Points to Avoid in Writing Short Fiction

This past week I’ve been judging Writers of the Future. Most of the stories come to us electronically, so much of my day is spent opening files, taking a look at them, and then putting in a review–usually one that says “Rejected.” I hate that “Reject” button, and …